Keiko is the worst villain in the entire Alpha quadrant.
That is all.
While it’s fun to poke at Keiko, I think Winn Adami is a worse villain.
Also: Gul Dukat is the best antagonist in Trek.I just love to hate those two, so the actors certainly played their parts very well.
Wouldn’t you agree, my child?
(You read this in her voice, didn’t you?)
grits teeth
I swear, every fuckin time.
Yes, but Keiko’s voice is like nails on the chalkboard to me.
I just watched “Looking for Par’Mach” - unless something extra bad is coming up, Keiko is far more horrible…!
I’ll have you know Dukat is a saint. He did so much for the Bajorans, just ask him
Jokes on you, O’Brien is CLEARLY into punishment.
Honestly, I think the biggest problem is that Colm Meaney and Rosalind Chao have negative chemistry. They probably cast her in TNG thinking that O’Brien was a second-tier supporting character, and that she had good “nervous bride” energy for her first appearance in “Data’s Day,” and that would probably be about it for the character. It’s not the actor’s fault that a fictional pairing that wasn’t very well thought-out on the writers’ and casting director’s part didn’t turn out to be strong enough to survive as a primary plot driver.
That said… I would have loved to see Miles and Keiko go through an amicable divorce. They virtually did, between Keiko basically throwing Miles and Kira together during their pregnancy and Keiko’s long-term journeys to Bajor. It wouldn’t have been that much further to just have them realize that they’d grown apart and agree to separate, and it could be a way for Star Trek to explore a subject that a lot of people had real-life experience with. I don’t suppose that mid- to late-90s Star Trek producers would have gone for it, but there was some real narrative potential there.
The food-based psychological torture she puts Miles through is entertaining at least
Edit: spelling
Omg, this.
Yes. And her (the actresses) role in Three Body Problem is like that characters development. If you want some Keiko head cannon, bc… while some femme baddies were written really well (like Win, probably only Win) there’s a hesitation, a lack of commitment to the thought project of darkness in a loving mother, doting wife.