I’ll be boring and say I’d party like it’s 2025 and Donald Trump has just died before taking the oath for President of the United States. Interpret that as you will.

Cthulu? Is your age upon us?

If she was in it for honest love, then I’d be more accepting of what you’re describing. I’m less put off by the age gap and more put off by the marrying for money part. This happens all the time, and it’s one of the many reasons I hate capitalism and consumerism, as it ultimately makes the choice to marry for money a “reasonable choice”.

I understand that “marriage is a business contract” has been a more true statement than “marriage is a love pact” for most of human history. But that doesn’t make it right. Marrying for love, IMHO is the only reason to feel good about a marriage, because ultimately that’s the only actually good thing about marriage. The rest of it is theater and performance.

She’s an adult, she can make all the mistakes she wants, and in our fucked up capitalist society, what your daughter is doing is considered not a mistake, but a reasonable financial decision. And that is what sickens me.

It’s one of those “hate the game, not the player,” situations, sadly. Cuz you can stop a single player, the game on the other hand…

Bring back your Advocacy division. Lower the pay for your CEO. Secure funding from other entities so that you are no longer dependent on Google. Focus more on implementing better security measures on Linux and Android, specifically within the domain of sandboxing your open processes. Keep about:config and manifest v2 options available.

Rockwell did make attempts to make political work towards the latter part of his career. The hard part about being an artist/celebrity of any renown is that your audience becomes sort of like your golden fetters. You can’t change the content of your work less you alienate your fans and more worryingly, your patrons. I admire Rockwell to some degree for taking a chance to address civil rights in some of his works, but theres a lot of reasons why ultimately throse pieces fell short. Rockwell’'s audience at the time didn’t want him to step outside of his folksy genre he had pigeonholed himself into. Its the equivalent to “I just wanted to watch my football and drink my beer man, why you’d have to bring up politics. I get enough of that elsewhere.”

Additionally, in the case of illustration, sometimes your art style just limits the kinds of messages you can say effectively. Rockwell was an illustrator whose style emphasized and romanticized sweet scenes like from a movie. There’s a reason Disney’s artists take so much inspiration from specific artists and illustrators with a certain romantic flair. Take a look at the sickeningly sweet pastel portrayals of the Victorian bourgeoisie from Fragonard, and imagine that style attempting to address political injustices at that time. It just doesn’t work. Not unless you completely overhaul your style and the way you communicate visually can you convey the message effectively.

Rockwell tried to use his talents to address the civil injustices of his time, but due to the preconceptions he had built up over he years around the kinds of messages that work could convey, he ultimately was unable to convey it as effectively as other artists at the time would be able to.

It may not be a fair comparison to make, but the works of Barbara Jones-Hogu were far more effective illustrative pieces that conveyed the sociopolitical sentiments of the time, partially because she was not pinned down by the limitations of what her previous works conveyed.

Yes. Sorry. Late night posting 😪

Yeah. Please keep in mind I mean no shade at Rockwell himself. I just think he had an unintended negative impact on American culture.

The video in question was part one of a Behind The Bastards Two Parter. Here are the raw links:

https://www.youtube.com/watch?v=QFBQMEn_0rw

https://www.youtube.com/watch?v=b2Jx5WDtzts

Edit: As an aside, if you want to see an artist who I think was equal parts “true artist” and “true illustrator”, I’d look at Edgar Degas.

Lol. Nicely shitted.

Illustration major here. Art is such an overarching term that it can pretty much be used as an umbrella term for nearly anything and everything. Etymologically speaking, Illustration just means making something clear, to communicate some idea to someone else. The concept was modernized to encompass the use of pictographs, texts, and diagrams as visual aids.

All forms of illustrations technically can be classified as pieces of art, as the definitions of art vary wildly. I’ve always taken art to be anything that evokes an emotion novel to either the consumer of art or the producer of the art or conveys a novel idea either back at the artist or to the consumer of art, or some mixture of these. The key thing to me is novelty, which evolves and changes based off of sociocultural norms and personal experience. Again, totally my personal opinion, and fine artists in particular would be able to nitpick this idea to death. Conversations I still enjoy when I have the energy.

Rockwell comes from a very classic Americana age of illustration. Iirc he is at the tail end of the second golden age of illustration (though my knowledge on the history is very rusty). I always preferred the work of his predecessor, JC Leyendecker, and his predecessor, Alfonse Mucha. Purely from a technical standpoint, mind you. The content of their work, to be frank, I find quite banal.

As per this particular piece, it’s a simple narrative piece, obviously well executed technically in oil. The narrative is classic Rockwell. I think Rockwell has been ruined for me just because his work created a nostalgia for a time that never quite existed in America. Don’t get me wrong , I think Rockwell was a stand up guy, especially for his time period.

It’s just that his influence over the American Art and Illustration scene eventually ended up resonating with people who aren’t looking to art for anything more than familiarity, not novelty. Essentially, it’s kitsch. Rockwell unintentionally created the ideal white American past that boomers currently are nostalgic for. An ideal that has had negative ramifications for those of us who have to deal with people who vehemently insist that this idyllic Rockwellian world was the great America we should all return to.

Sorry to make this political, but art, like anything, cannot be divorced from politics. And intentional or not, Rockwell has contributed to American sociopolitical sentiments in profound ways. He practically invented modern Americana. And while it has its charm, I find it exhausting to see it everywhere.

In it’s worst manifestation, Rockwell’s legacy ultimately resulted in producing Thomas Kinkade, America’s richest, and arguably the world’s most evil painter. People like to say second most, but Hitler was always a Nazi first and foremost. Calling Hitler a painter is like calling Ronald Reagan an actor. Like yes, but maybe that’s not what he should be remembered for?

Anyways, the conflation between Illustration and other Artistic disciplines, as well as with differentiating between illustration and art, is a topic of discussion I find very intriguing and one rife with controversy, due in no small part to the ambiguity surrounding the definition of art in general.

Fuck the algorithm. I’ll take word of mouth any day. Forces me to crawl out of my hovel and be social once in a while. Lol.

Is it a light read?

There’s a lot of reasons people still eat fast food. Others have pointed out though that fast food these days isn’t all that cheap and in some cases isn’t even all that fast/convenient when compared to other alternatives.

I can’t speak to that as it’s been decades since I’ve stepped inside a fast food restaurant save to use the bathroom while traveling, but I can guess that it also has to do with nostalgia. Some people grew up eating that shit and it provides them with a sense of comfort and familiarity. While I’m not going to hold my breath, it is my hope that the predominance of fast food will die alongside cable news when the younger generations come of age.

get up there and have more charisma than him and make him the butt of so many jokes that everyone is straight up laughing at him.

That and be more of an outright Nazi than him. You forget that it’s not just about charisma, it’s about creating a white christian ethnostate. If you can out-Trump Trump, which inherently means amplifying Fascist rhetoric in a folksy charm, but also providing an entertainingly scathing critique of everything not white and rich, then yeah, you’ll win. But otherwise the right will always vote for the biggest Nazi in the room.

Failure to recognize this is a failure to recognize how the right thinks. Fascism isn’t the outlier in the American right, it is the norm. They just don’t like calling it Fascism, they prefer traditional christian values.

Great work. They haven’t commented on this matter for some time now and its good to see an updated comment on this issue.

I use Graphene OS, but do use Mull. I also use Vanadium and base Chromium. Each for different uses. Mull for general browsing (I have many extensions, but I feel a bit more secure by running NoScript).

Vanadium is for when I need more functionality, and raw Chromium for inspecting responsive design of my own sites.

The GrapheneOS community is a great asset to the Android ecosystem, and their mentality has always seemed to be security above all else (even above privacy), which is a voice that is needed in any organization.

Again, thanks for doing this investigation.

🥲

Heavy Edit: Just finished watching this documentary after reading this article. Truly a heartwarming story, but is definitely a tearjerker at times. Great watch.

The fantastic animated show, Pantheon explores that very idea at the very end of its second and final season.

Given a long enough time frame, the vast majority of an immortal life would be spent buried beneath something or floating in the void of space. Think about it, you outlast planets and stars. When those go dark, but you don’t die…nothing to do but float in space.

You might counter that with, "well yeah, but eventually I’d find other sentient life forms and/or people again.” And sure, maybe, but that wouldn’t last as long as you…and then you’re just alone floating in space again, for the vast majority of your life. The only thing to look forward to, since you will outlast everything, is the end of time itself.

Because it’s not a bad thing to ask another person about their experiences in life. And putting it within the context of a particular life choice adds a layer of focus to the conversation.

Given your logic, no one should ever ask anyone else any question about their personal experiences other than to retrieve information.

I use Thunder currently. My first Android Lemmy client was Jerboa, which was fine.

I’ve tried Voyager, and I can’t remember right now why I didn’t stick with it, but I ended up just gravitating towards Thunder. It’s UI strikes the right balance between feature full and minimal imho.

What I love about this show, and the subsequent seasons that follow this scene (iirc this scene is the ending scene of season 2), is that Bojack does get better and he does put in the work, but what I love is that in the following season, where Bojack is trying to do the hard work, is that the show writers make a point to show that Bojack starts off with a really toxic family dynamic that puts him at a disadvantage, and makes it seemingly insurmountable to get better.

Additionally, the show goes out of its way to point out that the character of Bojack isn’t blameless, that there are certain things he did that can not and should not ever be forgiven, and that he has to incorporate that and live with that.

This show is a rare gem. It’s hard to watch at times because of how real it gets for what it’s like to deal with chronic depression. That sometimes you are just a shitty person, and becoming better and being better isn’t easy, and there is no one size fits all solution. But yeah, one of its many messages is that you do have to work on it, every single goddamn day.

I like to think this scene is the complement to this one, where Bojack is confronted by his friend, Todd, about how he needs to be better, that he can’t just feel bad about his actions later and that somehow absolves him of his responsibility towards others in his life that are affected by it, and there’s not much else to say on the matter.