Marketer. Photographer. Husband & dad. Lego, Minecraft, & Preds hockey fan. Movie buff, but pls #NoSpoilers!
Also @pwnicholson@mastodon.online Also @pwnicholson@pixelfed.social Also @pwnicholson.bsky.social Used to be @pwnicholson on IG, FB, TW, etc
Non-X link for those who don’t want to give them traffic
https://www.businessinsider.com/trump-says-youll-never-see-me-again-loses-to-biden-2020-9
Yeah, some were pretty crazy.
Is mostly because stereo sound being widely available was novel and new. I have several albums that are literally just made to let people show off the stereo aspect of their new hi-fi.
And there are some old mixes that are fairly extreme by today’s standards but sound like a very real soundstage - the drums are over there, the vocals over here, etc.
But then some took it too far with the control hard pans and then relying on the hard pan to fix bad levels (like that the drums are too loud)
But even today, it’s not unusual to have some instruments entirely (or very nearly) in one side of the other. Just not the primary instruments carrying the harmony and melody.
You mean re-filling. It was filled quite nicely with the original Thrawn Trilogy. Still glad some of that was salvaged and brought into canon.
Not sure what you’re on about.
I don’t think the article claims “no CGI” and certainly doesn’t claim to be straight-out-of-camera with no post processing. It’s about practical sets, which they do use. Not the mostly-green-screen or The Volume virtual sets that many shows use now