This is the Ent-like pace at which TV moves these days. The “Game of Thrones” prequel “House of the Dragon” took nearly as long to come back for its second outing. “Severance,” likewise a member of the debut class of ’22, will return in January, almost three years since we last saw it. The teen drama “Euphoria,” whose second season began in January 2022, will start shooting a third season … sometime in 2025. By the time it airs, one assumes its characters will be eligible for Social Security.
More and more, rejoining a favorite series is like trying to remember the details of high school trigonometry. Which hobbit did what to whom? What did they do all day in that “Severance” office again? Was “Stranger Things” set in the 1980s, or was it actually made then?
I kinda like it. It’s better for some shows than others, but like, look at Curb Your Enthusiasm. It would pop up every now and then, only to fade back into the aether for a few years, then come around again. It never felt forced, or like it wasn’t within its own continuity when it came back. Some time just passed, and that was alright. I feel the same way about Red Dwarf. It comes, it goes, it comes back again. We love it.
You can’t force it. It’s one thing if delays are because of studios or rights holders blocking creators from getting their work out, but if it’s part of the natural process? The process is the product, and sometimes good work needs time to percolate, or ferment, or whatever metaphor you want.
Don’t try!